From Greek mythology’s Lycaon to modern-day Michigan Dogman sightings, werewolves and their regional variants have prowled our creativeness since time immemorial. Whereas most cultures had their very own specific guidelines and conventions concerning these creatures (the full-moon shtick is definitely a comparatively current addition to the lore), the monster that we now know because the werewolf has the uncommon honor of being popularized by movie as a substitute of literature. And if there’s one werewolf story that stands out because the definitive model of the legend, it’s John Landis‘ 1981 basic An American Werewolf in London.
That includes each laugh-out-loud jokes and spine-chilling scares, with one ingredient by no means overshadowing the opposite, Landis one way or the other managed to craft a flawless horror-comedy that has but to be topped. With the movie celebrating its fortieth anniversary this month, I’d prefer to take this chance to debate how its completely balanced comedic parts are exactly what make it such a novel expertise.
Introduced just like the illegitimate lovechild of a basic folks story and an 80s intercourse comedy, An American Werewolf in London tells the story of David Kessler (David Naughton), a younger Jewish man from New York backpacking by means of England together with his greatest pal Jack Goodman (Griffin Dunne). Sadly, the duo is attacked by a mysterious creature after stepping foot within the dreaded Yorkshire moors, with Jack being killed and David turning into destined to remodel right into a savage monster himself. Sympathizing with this lonely stranger in a wierd land, Nurse Alex Value (Jenny Agutter) invitations him to stick with her in London as police kind issues out, resulting in a doomed romance as the total moon inevitably approaches.
There’s clearly much more to the story than that, with the added complexity that David would possibly simply be affected by scientific lycanthropy after a traumatic expertise (plus a wierd however compelling principle that the film is secretly about processing Jewish trauma, as prompt by Jon Spira’s video essay I Assume He’s a Jew: The Werewolf’s Secret), however it’s nonetheless not a really uncommon setup for a monster film. What actually retains audiences on their toes right here is the offbeat approach that Landis chooses to depict these occasions, choosing the comedic route when telling an clearly tragic story.
A variety of of us don’t even bear in mind the movie as a horror-comedy, specializing in the unhappy and ugly story of a younger man who turns into a monster by means of no fault of his personal. Nevertheless, on subsequent rewatches, you’ll in all probability be stunned with how typically the film tries to make you snigger, and much more stunned at how typically it succeeds. From that opening “bear in mind the Alamo” joke within the Slaughtered Lamb to the inherent absurdity of David’s undead victims cheerfully attempting to persuade him to commit suicide, I’d argue that the humor right here isn’t meant to easily pad out the runtime in-between nightmarish werewolf sequences, however as a substitute serves a story function because it makes you develop nearer to the protagonist.
With a near-perfect ratio of fifty% humor and 50% scares, watching the movie feels rather a lot like hanging out with a playful pal that reacts amusingly even when surrounded by horrible circumstances. This makes it all of the extra surprising when your buddy seems to be a terrifying man-eater who’s in all probability not going to make it out of this case alive. That’s why I’d say that Landis’ biggest achievement right here is in making the film humorous however by no means satirical or farcical. The tragic horror parts are handled with the utmost seriousness, and the film solely ever laughs with David, by no means at him.
That is what makes An American Werewolf in London stand out amongst different horror movies that try to be humorous. If you concentrate on it, even essentially the most humorous Slasher flick remains to be depicting the brutal homicide of (often) harmless younger women and men, however most horror followers contemplate these sequences enjoyable as a substitute of scary. That’s as a result of these films aren’t attempting to make use of humor to generate empathy however to make the general experience extra entertaining. This isn’t essentially an issue, as not each scary film must make you are feeling dangerous concerning the deaths or the one chargeable for them, however it exemplifies how distinctive Landis’ strategy was.
In actual fact, with so many accolades describing it as one of many biggest films ever made, it’s simple to take this movie’s weird choices with no consideration. However make no mistake: this was a bizarre flick even again within the 80s. With an oddly sudden (however nonetheless convincing) romance, area of interest references to English tradition and the odd inclusion of Nazi werewolves in outlandish nightmare sequences which have little-to-no bearing on the plot, this film clearly shouldn’t work, however does. The center-wrenching last moments are proof of that.
Chopping abruptly from that surprising finale to the closing credit whereas blasting probably the most upbeat renditions of Blue Moon ever recorded, among the movie’s extra nihilistic followers assume that this ending is supposed to be a mean-spirited middle-finger to the viewers, as if it means that the universe doesn’t care about David’s tragic plight. I’ve a distinct opinion, as the remainder of the movie made a degree of displaying David attempting to make one of the best of a foul scenario. The way in which I see it, this ending is definitely Landis’ approach of telling us that, typically, the one applicable response is to snigger within the face of tragedy, and I can sympathize with that.
Even after 40 years, there’s nonetheless a lot to be stated about this lovably unusual movie and the way it perpetuated the now-definitive model of the werewolf mythos by means of humor and real pathos. Whereas it’s stated that the undertaking’s unique financiers have been initially hesitant concerning the script, supposedly claiming that it was “too humorous for horror and too scary for comedy”, I’m of the opinion that An American Werewolf in London is precisely humorous and scary sufficient to be one of many biggest achievements of style filmmaking, in addition to one among my all-time favourite films. So, whether or not you’re a fan of honest laughs or simply need to watch Rick Baker‘s legendary creature design in motion, that is one monster film that may eternally be value revisiting.